Weekly Happenings: Ancient Egypt and Signs of Spring

This week we got back into the swing of things after two weeks of theater busy-ness. We still aren't up to top speed, but that will come. Next week.

Our inaugural days of participation in Project FeederWatch were Tuesday and Wednesday, our second foray into citizen science (the first being the GBBC). We saw 19 different species but not more than four of each species at a time. I also tried my hand at a chalk pastel rendering of a male bluebird! For tons of pastel inspiration, click the link at the right: A Simple Start in Chalk Pastels.

After lunch today (Friday), I made homemade oatmeal cookies and ate a lot of dough. I still feel slightly sick, but it's worth it.

We read about the Mosaic Map of Madaba and Machaerus, Herod's fortress in present-day Jordan, where John the Baptist was beheaded (website). Above, Miss Priss researches images of Machaerus. She found some neat cutaway and 3D pictures to share. Tiny Girl found us images of the mosaic on her laptop. I love it when the girls' interests are piqued and they conduct extra research on their own! Both links I've made take you to more photos and information.

We also worked on maps of Jordan. The girls have enjoyed our mapping exercises of the Holy Land. I download and print free blackline maps of each country. Then we consult our several atlases for mapping details.

I determined that our study of the ancients needed more of an Egyptian touch than AO Yr 6 scheduled, so I made some additions. Fortunately, the girls agreed (otherwise there would have been pushback -- ugh) since they've read and enjoyed Rick Riordan's Egyptian-themed novels. This week, both girls began Roger Lancelyn Green's Tales of Ancient Egypt, and Tiny Girl read The Golden Goblet, by Eloise Jarvis McGraw, a Newbery Honor book set in ancient Egypt. She gave it a big thumbs up. Miss Priss plans to read The Cat of Bubastes, by G.A. Henty. This title has a free Kindle edition and is also available on LibriVox, if you're looking for something to pass the hours on an upcoming car trip.

Piano recital pieces are coming along nicely. They are also working on other pieces as well. I love listening to them play! We build piano practice into our school day, and the girls' skills are really improving.

Signs of spring are everywhere. My daffodils have come and gone. The earlier azaleas are covered in buds, a few of which have already bloomed. The hydrangeas and rose bushes are leafing out, and the iris by the mailbox has sent out leaves. Ornamental pear trees are blooming everywhere (see my Weekly Happenings title photo) and so are Japanese magnolias. Ornamental cherries are covered in buds. Below are some photos I snapped during the week.

Lenten roses (hellebore) outside the historic sanctuary of my church.

Our tiny red azalea bush.

Flowering cherry trees in bud at a neighbor's house. These trees are glorious when in bloom.

I don't recall what kind of tree this is (at my church). It might be a dogwood. Time will tell.

Those are some glimpses of our week! How was your past week? Full of good stuff, I bet!

Happy weekend!

Link-ups:
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Medieval Illuminated Manuscripts -- Online

Photo credit

I'm always on the lookout for wonderful online resources that enrich our lives, particularly in the artistic or historic sense. I found two marvelous resources to share with you.

I have a fascination with illuminated manuscripts. On my first visit to London, I was crushed to find out that the Lindisfarne Gospels, a must-see on my trip, was off display at the British Library. A polite sign invited me to return in the fall, when it would be back on display. I wasn't going to be in London in the fall! Aaarrrgh!

So on my second trip to London four years later, a visit less than 24 hours in duration, I hightailed it for the library to feast my eyes. I admit I gazed (probably longer than necessary) upon the revered pages, marveling at the detail, the care, and the beauty of this amazing work.

Here is some information from the British Library website about this manuscript:

The Lindisfarne Gospels, one of the most magnificent manuscripts of the early Middle Ages, was written and decorated at the end of the 7th century by the monk Eadfrith, who became Bishop of Lindisfarne in 698 and died in 721. Its original leather binding, long since lost, was made by Ethelwald, who succeeded Eadfrith as bishop, and was decorated with jewels and precious metals later in the 8th century by Billfrith the Anchorite. The Latin text of the Gospels is translated word by word in an Old English gloss, the earliest surviving example of the Gospel text in any form of the English language, it was added between the lines in the mid 10th century by Aldred, Provost of Chester-le-Street. Today the manuscript is once again bound in silver and jewels, in covers made in 1852 at the expense of Edward Maltby, Bishop of Durham. The design is based on motifs drawn from the decoration of the manuscript itself.

On the off-chance you are not planning to be in London any time soon, you, too, can feast your eyes on this gorgeous work of art (and history and art history) by visiting the British Library's website and its amazing "Turn the Pages" online gallery. This gallery utilizes Adobe Shockwave, so you'll need to download that free application beforehand. But it is SO worth it. "Turn the Pages" features a Magnify function for an up-close look at the details. Another fabulous element is the Audio option, which offers interesting information on the manuscript. Or you can click the Text option to read the same information. Not every page of the manuscript is part of the "Turn the Pages" gallery, but the cross-carpet and opening pages of each gospel are on view.

However, if you don't have Shockwave, you can also view the pages here. For a quick view of the art pages only (no text), Wikimedia Commons offers these nine images.

For more information on the Lindisfarne Gospels, visit the British Library website and run a search for "Lindisfarne Gospels" to hit the motherlode. Here is a quick link to a bit of background. Also, Wikipedia offers an informative entry.

And, in case you ARE planning a visit to London this summer, don't look for the Gospels at the British Library; they'll be at Palace Green Library in Durham, to be displayed alongside the St. Cuthbert Gospel. So plan a jaunt to Durham. I've been there, and it is worth the trip. The cathedral alone (the final resting place of the Venerable Bede) is worth the trip.

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Photo credit

I was beyond excited to learn that Trinity College Library Dublin now has the Book of Kells available for viewing online. While all pages are uploaded, there are no scholarly comments as of yet. Here's an excerpt from the library's website on the Book of Kells exhibition:

The Book of Kells (Trinity College Dublin MS 58) is celebrated for its lavish decoration. The manuscript contains the four Gospels in Latin based on a Vulgate text, written on vellum (prepared calfskin), in a bold and expert version of the script known as "insular majuscule". 

The place of origin of the Book of Kells is generally attributed to the scriptorium of the monastery founded around 561 by St Colum Cille on Iona, an island off the west coast of Scotland. In 806, following a Viking raid on the island which left 68 of the community dead, the Columban monks took refuge in a new monastery at Kells, County Meath. It must have been close to the year 800 that the Book of Kells was written, although there is no way of knowing if the book was produced wholly at Iona or at Kells, or partially at each location. 

It has been on display in the Old Library at Trinity College Dublin from the mid 19th century, and attracts over 500,000 visitors a year. Since 1953 it has been bound in four volumes. Two volumes are on public view, one opened to display a major decorated page, and one to show two pages of script. The volumes are changed at regular intervals.

For some quick views of pages from the Book of Kells, check out this Wikimedia Commons page of images. And for a thorough (and excessively glowing, IMHO) exposition, read this article from Wikipedia.

Since I have no firm plans to visit Dublin, the online exhibit of the Book of Kells is really a blessing. It's not quite the same as viewing the real thing in person, but it's the next best thing. I look forward to the addition of scholarly explanations added to the website!

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Online resources for museum pieces are invaluable for history study and art study. Not only do they give us access to items thousands of miles away, they also give us means to compare similar objects. For example, a worthwhile project for older students would be to compare the Lindisfarne Gospels and the Book of Kells. How are they similar? How do they differ? Why were they created? Do their disparate ages have something to do with any differences? Do their respective histories have any bearing on their condition today? These are just a few areas of inquiry that pop to my mind (before I've had my coffee).

Of course, seeing these priceless artifacts in person is the peak experience. I imagine the hands that have touches the pages, now protected under glass and low lighting. Hands that worked quietly and surely, hands that smoothed pages before a sacred service, hands that seized roughly in a desperate effort to flee from raiders, hands that worked to restore the ravages of age. . . . 

Perhaps an online study will whet your family's appetite to plan a trip!

Weekly Happenings:It's Showtime!

My house is a mess. For those of you who have seen my house, you know that it is never a showplace. However, it's really messy now.

For two weeks, Tiny Girl and her theatre troupe have been in crunch for their production of Peter Pan. I've been volunteering is several different ways during crunch. We haven't gotten to be before 11 most nights. We are on a lightened school schedule, but we're still doing our readings, piano practice, math, and Bible study. Oh, and the barn -- we haven't been able to get there as often as usual, but we're still going. Plus, Himself has been out of town, and then Miss Priss left yesterday with our Girl Scout troop for the annual Camporee weekend.

We've managed to stay clean, fed, and dressed in laundered clothes. But that's about it. So I'll be glad when we get back to a more normal routine.

Boy, has it been fun, though! It's worth the messy house, shortened lessons, sleep-in mornings, extra responsibilities, all of it. Tiny Girl is having a blast, and so is Miss Priss, who has been helping with hair and makeup. Opening Night was a grand success, and I heard that last night was just as fabulous.

When she got home last night, she said: "Listen to this! It's so sad!"

Me, slightly concerned: "What?"

Tiny: "I scared a five-year-old little girl! She was so cute. After the show, her mom brought her up to meet me and get my autograph. She asked me if I was really mean, and I laughed and told her no. But I felt so bad for scaring her!"

Himself: "That just means you're doing a great job on stage."

There are two shows today: a matinee and this evening's performance, which Himself and I will attend. Himself hasn't seen the show yet, and I can't wait for him to witness our child shine on stage.

After tonight's show, we'll strike the set, clean up the theater, turn in costumes, and head to IHOP for the cast party. We'll get home around 1 AM. Tomorrow, we'll collapse!

New Sighting! Pine Warbler

Tiny Girl and I noticed two birds -- visiting at separate times -- who looked out of place at our feeders. They bore a slight resemblance to goldfinches, but their heads were grayer, their breasts were pale yellow, their wings were lighter (gray instead of black), and the white bars on their wings were not as distinct. One of them had more yellow on its head than the other, resembling a nonbreeding male goldfinch. But the wings were still too different from a goldfinch's wings.

Pine siskin? we wondered. Nope. Pine siskins' breasts are heavily barred, a detail missing on our diners. Plus, they were too yellow. Pine siskins have a bit of yellow under their wings and tail and maybe a touch on the wing edges, but that's all.

Off to the WWW we went, straight to the Cornell Lab of Ornithology's site, All About Birds. First, I went to their goldfinch page, not because I thought our mystery guests were goldfinches, but because this fabulous website features similar species -- with photos!

On a hunch, I clicked on the link to the pine siskin page and looked over the similar species photos. A few clicks of the mouse later, and I landed on a strong contender. I called Tiny in to take a look at several photos. "That's it!" she said happily. Pine warblers. Setophaga pinus and Dendroica pinus, in case you're boning up on your Latin. I guess they're so fabulous they get two binomial names.

Photo courtesy Laura Gooch via EOL, Encyclopedia of Life

Ah, what satisfaction.

The photo above looks a lot like one of our new friends. The second warbler had more yellow around its head and breast. I couldn't find a satisfactory photo of it. I'm certain the one above in a female, which tend to be more drab than the males.

Equally as fun as identifying this species is the fact that we've never seen them before. According to All About Birds, pine warblers have olive coloring on their backs. I'll look for that next time.